Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Sunday, October 03, 2010

Numbers are what life is all about


I was just lying in bed and contemplating the dire state of our personal finances. Life, I decided was all about numbers. No one actually has any real money, nothing solid. They have numbers that open an account, numbers written on bits of paper sent by the bank, numbers they write on bits of paper to give someone or numbers on a plastic card which can only be used when you remember the numbers that unlock them. Yet, strangely, this is no safer a method of commerce than the days when you had copper, silver and gold to trade with. Nice solid, round heavy cash you could put in a box and hide under a bed. So robbers could steal the lot. Robbers can steal numbers too.

As it was a Sunday morning, my husband and I sat in bed with a cuppa and listened to the Point of View slot on the radio at 8.45am. It was Professor Liza Jardine's last one of the series and in life's synchronous manner she spoke about numbers too. But her main drift was about history and how periods of art and culture often seem to occur in times of depression and apparent decay in society. These waves of creativity do not arise from happy times and joyful spirits but rather from the opposite.

Historians of the past delighted in battles, conquests, and recording the deeds of those famous men and women who brought about sweeping changes from greed, desire for power or pure madness. They were the movers and shakers and the masses were shaken and stirred, moved hither and thither as if at a whim. However, beneath these waves of well recorded events lies a huge flowing sea of the unrecorded events of ordinary people and their lives. And from this sea of fear, anxiety, humiliation, suffering came forth the occasional person who was able to voice what this silent majority thought and felt. The poets, artists, musicians and writers.

We are now entering a dark age all our own. Perhaps this is why so many people are taken with fantasy writing, fulfilling a need to turn away from life's anxieties and escape into Tolkien worlds of their own making. Writing sites such as the Harper Collins site, Authonomy, are awash with writers writing fantasy,YA and erotic romantic fiction set in some golden past of happily ever after. Writers have generally recorded their times through their works so what can we say about our own times filled either with fantasy worlds or else with horrifying darkness and violence? Our many crime writers fulfil this latter role as they explore the shadier side of our modern societies. Ruth Rendell, who has written almost a novel a year for some decades, has recorded the various moods and problems of English society through the 70's to the present time through her often disturbed and strange characters. Ian Rankin has probed the underbelly of elegant Edinburgh. Stieg Larsson explored Scandinavian darks and seaminess, and so forth.

In the Middle Ages the fantasy was perhaps fulfilled by myths, fairy tales,superstitious and religious thoughts while the violence and horror of battles, plagues and torture were all to real. Nowadays, in our 'civilized societies' most of life has become virtual, interior, explored through film, books, computers.
But as Liza Jardine said, it is the masses who now need to record their feelings,fears,ideas,loves and passions. We ordinary people make history now, not the great battles or the sway of Kings and Queens and generals whose days are past while the unwashed masses lived and died in obscurity. The tide has turned and swept us all up onto the shore of conscious existence with all our flotsam and jetsam. After all, there's nothing much left to be conquered in the outer world. We all must now learn to conquer ourselves from within. And writing, art, poetry and music is the way we can do this and speak of the times we now live in. A strange world of the mind, regions within, lands to be explored and conquered inside our own hearts and souls.

Saturday, March 20, 2010

Everyone seems to have an Opinion on Life, Love and Art


And why are we all so different in our opinions? One's man's meat is another man's poison ...so very true. Well, any vegan will tell you that. But when it comes to Life, Love and Art, we all act like vegans versus meat-eaters! We all have strong inclinatiosn and tastes, natures and opinions but for some strange reason, hate every elses and condsider our own take the only opinion worth knowing!.

Frankly I hate modern art. I don't understand crumpled beds and cows in formaldehyde and rubbish stuck together and I don't want to. Chiarascuro trees and seascapes and too many Madonnas with plump Christ babies can also be boring after about the 100th one. (Much as I loved Venice...there were too many Madonnas) I love paintings that make one stop and think,in which layers of meaning can be seen and felt. They need to have passion as well as beauty of detail, but even stark ugliness can be meaningful if it tells a story. The haunting themes of Goya's black paintings in the Prado, Madrid are an example. They express the artist's fear of madness and are deeply moving and haunting.

I am now going to be told how ignorant I am by hundred's of Tracy Emin afficionados. So be it. I've plenty to say in return - but in the end it is just their taste, their opinion versus mine. Who is to say which one of us is wrong? No one. Who actually lays the rules. No one and everyone. We have our own personal rules and I've outlined some of mine. I love colour, movement, a story, beautiful women and men, myths. mediaeval themes as well as classical. That's why I love the Pre-Raphaelite painters so much and I let my characters express all these personal feelings in The Crimson Bed. Some will say I have no taste at all because I love such vivid, colourful story-telling. Yet these pictures are popular, enduring, deeply loved by many men and women who have similiar imaginations to my own.

BTW, I have just read an article by Richard Dorwent written for The Telegraph 29th June 2009 on John Waterhouse for whom he has little regard it seems. He sees Waterhouse as merely pretty and lacking in the passion of the great Pre-Raphaelite masters. And it's true that Waterhouse was not a true Pre-Raph. being born while they were just in the throes of their own artistic beginnings. To some extent, I agree with this viewpoint of Dorwent's, but at the same time, I love Waterhouse because his pictures, while lacking passion perhaps, have a quality of movement and flow and femininity that has made them some of the most appealing images of the day. I chose one of his paintings The Crystal Ball for my book cover because I love the richness of colour and the thoughtful stillness of the pose.

Anyway, that's my opinion.

Favourite Quotes

  • My home is my retreat and resting place from the wars: I try to keep this corner as a haven against the tempest outside, as I do another corner of my soul. Michelle de Montaigne
  • Happiness is when what you think, what you say and what you do are in harmony: Mahatma Gandhi
  • Friends are people you can be quiet with. Anon.