Wednesday, November 18, 2009
Dark Nights and Delicious Books
Dark wintry nights are closing in. It should be an ideal time in which to read good books. No distractions from the window of sunshine on the Malvern Hills beckoning me out for an evening walk. No prospect of sitting out in the garden and watching the birds and the bees. Now it's just darkness out there and glittering little orange lights on the hills to indicate the fact that everyone is tucked up indoors. Probably on FaceBook or Twitter.
So to enjoy these dark nights with all this time to read, I took myself to London and the Diiarts launch of four fabulous new authors. Diiarts,or Dragon International Independent Arts is a new imprint and one to watch as they may in time turn to varied publications besides books,perhaps music, art and so forth. Take a look at their website www.diiarts.com. The launch was held at a most interesting venue, the London Canal Museum, near King's Cross Station. I hadn't even known of the existence of this place till now and will have to return at a quieter time to see its wonders. There were barges, a replica horse (stuffed, drugged?) and all the cheerfully painted accouterments of canal life in the olden days.
There was little time to explore all this as,with wine flowing nicely,there were lots of friendly familiar faces from the Harper Collins site Authonomy to talk with and to enthuse over everything. Some had come all the way from the States and New Zealand and were making a holiday of it, such is the enthusiasm for this new imprint. It's talented authors are like good,familiar friends, their books our books, their words our words as we have all helped one another to shape our creations with criticism, praise and even a few sibling-like quarrels and boozy Friday night flirtations. Authonomy is where we met and where the concept of Diiarts was conceived. So some good came from all our varied authorial nit-picking labours! I came home armed with a couple of tomes and am getting well stuck now into May 1812 by M M Bennetts. That'll keep me going right through the Napoleonic wars.
But somewhere I'll have to stop all this blogging and reading and Facebooking and emailing and ..yes, deal with the first proofs of The Crimson Bed. I'm a bit scared. Will I still like this novel? Of course, it's brilliant. Isn't it? Oh well, off I go to do some work on it and lay my intriguing book aside for a bit.
BTW if you want to hear my podcast about the book...where I sound as articulate as a footballer's wife or a lead guitarist of the 1960's... try this site! The actress Tessa Nicholson (who recently appeared in the first episode of BBCI's 'Garrow's Law')reads extracts from the book beautifully in contrast to my sad mumblings!
http://lorettaproctor.shortstoryradio.com/
Friday, November 06, 2009
No Time to Stand and Stare?
There's a real problem these days. It's called Facebook, Twitter, Blogs, Skype, mobile phones and email. All these are fine and fun and useful in their way but they take up time from actually living life. You see apparently demented people walking along a city street jabbering and gesticulating as if to themselves. They don't look around to see that it's a beautiful sunny day, skies are actually blue for once, the breeze is blowing autumn leaves along the pavement, the birds are singing in the trees that shed said leaves . . . they don't observe with interest and amusement the sight and sound of the many faces and interesting characters they pass on their way around the busy shopping malls, or take time to wander thoughtfully along the riverside of some fine old town like Worcester. Basically they don't even notice they're alive half the time. Talk-talk. That's their life. And the talk is all nonsense most of the time. Sad.
I'm just as guilty as everyone of indulging in all this displacement activity though.
In an Oxfam shop the other day I came across a 1930's blue hardcover reprint of Wilkie Collins masterpiece 'Woman in White' and a mere snip at £3.00. I took it to the girl at the counter who waxed lyrical for ages. 'It's a wonderful book, ' she said,' I couldn't put it down, read it right through from start to finish and no time to eat or anything. You'll love it, it's well worth the money, a lovely book.'
I paid for it and agreed with her that it was in great condition and said that though I had read 'Moonstone' I'd never read 'Woman in White.'
'Oh, my goodness. You won't regret it. It's a lovely book, ' she said,' I couldn't put it down . . . I really couldn't put it down.' . . . I escaped while she was still rhapsodizing.
However, I had to agree with her. It's a long, detailed book and took even a fast reader like myself some days to get through. It is one of those stories that lingers in the back of your mind and impinges on your daily activities, making you hurry your tasks till, like some delicious confectionery you are allowed to dip in, enjoy and savour the moment of indulgence.
The characters are unforgettable, fascinating and vivid. The atmosphere is enthralling from the start as the fearful, agitated 'woman in white' glides into Walter Hartright's life, arousing his pity and protectiveness.
I'm just as guilty as everyone of indulging in all this displacement activity though.
In an Oxfam shop the other day I came across a 1930's blue hardcover reprint of Wilkie Collins masterpiece 'Woman in White' and a mere snip at £3.00. I took it to the girl at the counter who waxed lyrical for ages. 'It's a wonderful book, ' she said,' I couldn't put it down, read it right through from start to finish and no time to eat or anything. You'll love it, it's well worth the money, a lovely book.'
I paid for it and agreed with her that it was in great condition and said that though I had read 'Moonstone' I'd never read 'Woman in White.'
'Oh, my goodness. You won't regret it. It's a lovely book, ' she said,' I couldn't put it down . . . I really couldn't put it down.' . . . I escaped while she was still rhapsodizing.
However, I had to agree with her. It's a long, detailed book and took even a fast reader like myself some days to get through. It is one of those stories that lingers in the back of your mind and impinges on your daily activities, making you hurry your tasks till, like some delicious confectionery you are allowed to dip in, enjoy and savour the moment of indulgence.
The characters are unforgettable, fascinating and vivid. The atmosphere is enthralling from the start as the fearful, agitated 'woman in white' glides into Walter Hartright's life, arousing his pity and protectiveness.
The beauty of a long, detailed book such as this is that the characters have time to develop. They impinge on the mind and stay with one forever because one really gets to know them with all their little quirks and foibles. What could be more unforgettable than the vision of the incredible Count Fosco sitting with his little canaries, teaching them to hop from one fat finger to another and then bidding them to sing when they reach the top of the 'ladder' made by his hand?
There is no lack of action in this story though it's not of the manic, helter-skelter kind of modern writers such as Dan Brown where characters are of little importance except as vague vehicles of the frantic activity and death dodging dangers of the plot. Locations if anything seem more important than people in such a tale and the wierder the locations the better.
There is also time to be philosophical in a long, detailed story. But where do philosophies fit in any more in the fluttering, ephemeral, chattering, meaningless world of twitter, facebook, i-pods?
Subscribe to:
Posts (Atom)
Favourite Quotes
- My home is my retreat and resting place from the wars: I try to keep this corner as a haven against the tempest outside, as I do another corner of my soul. Michelle de Montaigne
- Happiness is when what you think, what you say and what you do are in harmony: Mahatma Gandhi
- Friends are people you can be quiet with. Anon.